Wednesday, January 29, 2020

Attendance Monitoring Information System Essay Example for Free

Attendance Monitoring Information System Essay The Project READ resulted from individual and group studies and experiences of ePerformax staff members in the course of working with potential recruits. Their research yielded the following realities which aroused concern: While there were a lot of better paying jobs for Filipinos who had a good command of the English language, there were not enough Filipinos who could qualify. Job seekers who come from middle income means and higher had better chances to land good jobs because they are more proficient in English and can help themselves to more books to improve themselves. Job seekers who learned English at a younger age tend to have little trouble adjusting to global standards and communication challenges. The younger one develops English skills, the higher the chances of success later on in life. Monetary assistance to the poor tend to be short-lived and non sustaining, but providing them skills for self-help gave them a chance for a better future. Cultivating English proficiency and access to books may provide a solution. Brief History of the company ePerformax Contact Centers BPO (eP) is a joint venture between TDG and ePerformax Contact Centers USA. As one of the first contact centers in the Philippines in 2002, eP provides high-performance customer service and BPO to a strategic group of US Fortune 500 companies. eP provides English speaking inbound customer service, sales support and BPO via voice calls, email and chat supporting client’s customers from the US, Canada and Australia.. eP’s sister company, the Global Communications Management Academy, provides the essential training and skills to prepare Filipinos for a job in the country’s highly-regarded BPO industry supporting global companies. Services Offered and its description They seek to partner with their clients to manage their program from a business perspective to achieve their goals and vision. They think like we think†¦ strategically and financially with a keen focus on the business today and an eye on the future. This means they understand the need to be responsive and proactive. They don’t wait for you to tell us to make improvements. They suggest improvements to us and work with the team to make them happen. Simply put, customer experience involves customer service, plus making sure the customer is fully satisfied at every point where he or she comes into contact with the organization. That’s a never-ending process of listening to the customer, servicing the customer, learning from the customer and improving for the customer. That’s how they view their client partnerships. PERFORM in ePerformax: P – Passion Persuades The entire ePerformax team is driven to be the best. Every employee is compensated based on their ability to achieve the KPMs that are aligned with their client’s business objectives. They make analytics common practice at all levels of management to give their managers the tools to understand the dynamics of our business in order to know what’s really working, what’s not and why, and what to do to positively influence performance. At ePerformax they have a driving desire to be the best. E – Empowerment Leads Their analytical processes take the guess work out of making solid decisions, and their team members are empowered to take action and manage the business as if it were their own. Armed with the data, analytical tools and proper training, their team can proactively address both challenges and opportunities, manage risks, improve efficiencies, reduce costs through elimination of unnecessary work, and identify patterns in the vast amounts of available data to take corrective actions that result in continuous improvements. At ePerformax they don’t wait to be told which direction to go. They lead the way. R – Resourcefulness Rocks Resourcefulness and empowerment go hand-in-hand. To maximize their analytical capabilities management not only needs to make decisions, but also have the resourcefulness to implement them. This is yet another point of differentiation they believe contributes to their ability to outperform other competitive vendors. Every aspect of the operation requires creativity in identifying valuable data and organizing resources to deliver results. Their managers are trained and empowered to be resourceful in their roles. At ePerformax they don’t accept limitations. They find solutions. F – Flexibility Thrives Another key point of differentiation is the speed at which they respond to their client’s changing needs. Their job is to make it easy for their clients to make the necessary adjustments to their business even if they don’t make it easy for the team. It is because of their size and small number of clients, they are able to deliver speed boat responsiveness. They are also one of only a few companies that has implemented a compressed, 48-hour work week for agents. That means they pay their staff for 8 hours above the 40 hours of productive time each individual is scheduled. That allows flex time for coaching, training and taking calls if needed to support services levels. At ePerformax they’re not easily rattled. They accept the need for change. O – Optimism Prevails This is an important component of their ability to meet and exceed our objectives. In order to be optimistic, they start by being realistic. They look at every action they are planning for the worst case scenarios and by doing so they are then able to minimize risk and focus on success. Optimism, properly managed is a catalyst for change. And in a constantly changing industry and a continuous improvement culture, change is what ultimately drives results. At ePerformax they believe in the potential of every team member. R – Results – Orientation Wins They know that hard work and hard results are different and they believe in achieving the hard results. They work with their clients to ensure that their KPMs are directly aligned with their business objectives. And they adopt a single-minded focus to achieving those objectives. By focusing their efforts on the KPMs at all levels of the organization, they develop clarity of purpose, momentum and a methodology for prioritization of the work needed to be done to get the desired results. At ePerformax they understand the difference between hard work and hard results. They always go for hard results. M – Motivation Succeeds Every action has a consequence and when the positive consequences outweigh the negative consequences, they motivate the performance they want to achieve. As such, we see a critical need for their business culture, disciplines, accountabilities and incentives to be aligned with their clients. We monitor our results constantly to ensure they are motivating every individual to contribution. In doing so, they have been able to develop a high-performing team that wants to win for their clients. That gives their clients the assurance that they are aligned with them. And that’s motivating to everyone. Objective The objective of this visit in ePerformax is to know how they seek to partner with their clients to manage their program from a business perspective to achieve their goals and vision.

Tuesday, January 21, 2020

Flirting and Courting Rituals of The Victorian Era :: Victorian Era

Flirting and Courting Rituals of The Victorian Era In Victorian society courting rituals were put into effect to keep the young ladies pure and the gentlemen confused. Courting usually began at balls and dances where young girls were first introduced into society during their â€Å"coming out.† At every gathering of Victorian society the young ladies were chaperoned by their mothers or some other married woman so that nothing improper would happen that could ruin the young lady's reputation in society. The young ladies and gentlemen at the dances and balls were introduced through a third party and their Christian names were prohibited from being used because it would have been to forward and improper. After placing their name on the dance card of the young lady they could then proceed to dance no more then three dances because any more then that would be inappropriate in Victorian society. â€Å"After this formal introduction the gentleman would give the young lady his card to remember him by and at the end of the evening the young lady would look through her cards to see which gentleman she would allow to court her† (Powell). She would give the gentleman permission to court her by giving that gentleman her card and the right to call on her at her home where the courtship must take place. In Victorian society there were certain criteria that each party followed to find the perfect suitor. If they followed these rules to pick their mate their personal shortcomings would balance out when they married. Certain criteria consisted of â€Å"not marrying a person with the same eye color as yourself, marrying someone that was opposite of you in physical and mental characteristics, and marry someone with straight or thicker hair if your hair was curly or thin† (â€Å"Finding† 2). After a suitable suitor is chosen and the young lady and the gentleman begin to court certain rules must be followed. These rules were in place to keep the ladies pure until marriage. â€Å"The courting couple always had to be chaperoned, the couple needed permission to go out during the day, the gentleman could never stay late at the young lady's house, he could never call without permission and the young lady had to say goodbye at the parlor door† (â€Å"Love† 21). Because Victorian society was repressive towards true emotion, gentlemen and their ladies could not publicly express their love for one another.

Monday, January 13, 2020

Paul Gauguin

Paul Gauguin Danielle Arnold L. Scott Roberts Art Appreciation 11 November 2011 Paul Gauguin Like so many artists one studies, the life of Paul Gauguin was filled with internal struggles on daily matters and beliefs. Gauguin was not dealt an easy life from the very beginning. Born to French journalist and half Peruvian mother, Gauguin came to know the cruelty of life at a very young age. In 1851, he and his family moved to Peru due to the climate of the period. On the voyage to Peru, his father died; leaving him with his mother and sister to survive on their own.The family lived in Peru for four years and during that time, Gauguin came under the influence of certain imagery that would affect the rest of his life. His family then moved back to France where Gauguin excelled in academic studies. He went on to serve two years in the navy and then became a stockbroker. He married a woman by the name of Mette Sophie Gad, and proceeded to have five children. (â€Å"Paul Gauguin†). Ga uguin always enjoyed art in its many forms and soon purchased his own studio to show off Impressionist paintings.He moved his family to Copenhagen to continue being a stockbroker, but felt as if he was to pursue the life of an artist full time. He moved back to France to follow his passion for art, leaving his family behind. Just like many artists, he suffered from depression and had several suicide attempts. Gauguin soon became very frustrated with the art of the 1800’s and sailed to the tropics to escape life. He then used what he saw there as inspiration for many of the works that he produced. In 1903, he got in trouble with the government and was sentenced to jail for a short time.At the young age of 54, Gauguin died of syphilis, probably contracted from the natives in Tahiti. Gauguin left a rather large impact on the world of art. He rubbed shoulders with some of the most world renown French artists. His biography states, â€Å"[Gauguin was] the first artist to systemat ically use these [Primitivism] effects and achieve broad public success† (â€Å"Paul Gauguin†). He created some very successful paintings such as â€Å"Fragrant Earth,† â€Å"Barbaric Tales,† â€Å"The Loss of Virginity,† â€Å"Yellow Christ,† and â€Å"Tahitian Women with Flowers. All of these paintings have specific Gauguin signatures on them in style, color, subject, and reality. Gauguin lived in the time of Impressionist art. This art movement was mainly lead by Paris based artists. At first, Gauguin embraced the essence and characteristics of Impressionism. The early works of Gauguin, as John Gould Fletcher tells us in his book, have disappeared. However, there have been descriptions of his early works by Felix Feneon (Fletcher 44). These descriptions prove and show that Gauguin was already miles ahead of Impressionism and would become a very promising and influential leader in the next movement of art.While the art of his time was char acterized, by small, visible brush strokes that allowed colors to harmonize and blend together to create different and changing qualities of light of ordinary subject matters, Gauguin put his own interpretation of Impressionism. His tones were very separated from each other, creating a new way at painting landscapes. Fletcher states, â€Å"Gauguin was treating landscape at this period already as a synthesis, a decorative whole. . . not as an exercise in the analysis of atmosphere vibration† (Fletcher 45).People did not appreciate the new beginnings of this Post- Impressionism movement of art lead by Gauguin. This did not stop Gauguin at all. He continued on in finding new theories and creating his own tradition that went against the old decorative tradition. Wright and Dine share, â€Å"Gauguin was not content with the landscapes of civilization. He wanted something more elemental – scenes where an unspoilt and untamed nature gave birth to a race of simple and colourf ul character. He felt the need of harmonizing his people with their milieu† (Wright and Dine 300).Thus, Gauguin sought an entire new movement of art and found his inspiration in Tahiti. By using vivid colors that popped out and a thick of application of paint, Gauguin began to open the world to Post-Impressionism where real life was recorded through geometric forms. Ultimately, this lead to the Synthetist movement of art. Along with a few colleagues, this movement was created to synthesize the appearance of natural forms, the feelings of the artist on the subject matter, and the purity of line, color, and form (Wright and Dine 190). Gauguin also paved the way to Primitivism in his later years.Through the exaggerated body proportions and stark contrasts of color, Gauguin helped the return to the pastoral (â€Å"Paul Gauguin†). All of Gauguin’s paintings share similar characteristics. After Gauguin’s experience in Tahiti, he made the natives his main subject matter. Full of bright and bold colors, these women are placed in their natural surroundings with their womanly nature being exposed and exalted. Through his paintings, the truths about these women are revealed and their beauty proclaimed through the bold colors and contrasts and dark, defining lines. The beauty and popularity of Gauguin’s paintings are not just skin-deep.To truly understand the meanings and symbolism of the paintings, one must understand the man who held the brush. In his biography â€Å"Noa, Noa,† one comes face to face with a man who held such high dreams yet never achieved them. Every painting of Gauguin’s was almost a poem laced with symbolism of life, faith, and death. In Gauguin’s Paradise Lost, Wayne Anderson quotes Gauguin in saying, â€Å"In a way, I work like the Bible, in which the doctrine announces itself in a symbolic form, presenting a double aspect, a form which first materializes the pure idea in order to make it bette r understandable . . this is the literal superficial, figurative, mysterious meaning of a parable; and then the second aspect which gives the spirit of the former sense. This is the sense that is not figurative any more, but the formal, explicit of one of the parable† (Anderson 8). Gauguin always tried to veil his symbolism within his paintings. To the untrained eye and mind, his symbolism falls on blind eyes. However, those who are trained in his ways of symbolism appreciate the tension between the romantic sensibility and the dark drama of romantic primitivism.The emotions conveyed through his works all vary depending upon the nature and subject of the particular piece. He does have a central theme in all of his paintings and even some of his carved work. He wishes to conjure ideas of divinity and question the aspects of humanity in order to leave one with a sense of mystery and wonder (Anderson 19). The colors Gauguin uses pulls one into a life of bright and bold contrasts and tones. Someone how Gauguin uses definitive black lines that leave room for imagination in finishing the story that is told on the canvas.Gauguin was an island when it came to mentors. He did not feel the need to imitate any kind of art. If his art was imitative of any artist, it was because he had not been able to freely convey his emotions and arrive as his refined instincts (Anderson 29). Many of his artistic peers did reach out to Gauguin and try to influence his art. When he was younger, he met Camille Pissarro. These two worked together as part of an Impressionist group. For the longest time, Gauguin accepted and practice the styles of Manet, Renoirs, Monets, Cezannes, and Pissarro.Until he moved and stayed to Pont-Aven and met Emile Bernard and became a part of the Pont-Aven school. With the influence of artists, Charles Laval, Maxime Maufra, Paul Serusier, Charles Filiger, Jacob Meyer de Haan, Armand, Seguin, and Henri de Charmalliard, the birth and movement of Synthetism where bold colors were used for super spiritual subjects came about. (Fletcher 50). However, Gauguin always had a horrible temper and resulted in turning his friends into borderline enemies especially those who still clung to the Impressionist art forms and traditions.For two weeks, Van Gogh and Gauguin painted together. Their relationship was a rather weird one. Fletcher comments on this in saying, â€Å"For Van Gogh the future only held the liberating spiritual worship of the sun, which was to raise his art to its highest pitch of lyric ecstasy and to destroy the brain that had created it. For Gauguin the future held a long and stoic struggle . . . that left . . . his work only a broken fragment of what he had dreamed† (Fletcher 55). Consequentially, their art reflected these two different paradigms.Yet it was due to Van Gogh that Gauguin began to realize that great art came from a great love of life – and with that, Gauguin turned to religion, which fueled the majo rity of his art. Van Gogh’s art always hinted of a hope or centered upon a light. Where Gauguin used his subjects as the portrayal of light or the absence of light in the comparison to the dark and dense backgrounds. Over all, Gauguin’s works paved the way for new modern art to emerge. Some would say that Picasso was one of the most important people in the realms of abstract art.However, Gaugin married together the worlds of abstract and representational art with his works on the Tahitian women and the natives. As Gauguin’s biography reports, Gaguin left a huge and notable connection to Arthur Frank Matthews in his intense use of color palette. His works influenced many other artists but does not leave a protege to assume his role of leader in Primitivism and Synthetism (â€Å"Paul Gauguin†). Paul Gauguin was a genius with both the brush and the chisel. He believed in art as a way of life and not a mere enjoyment. He rallied for a day when symbolism would reign and art would become a synthesis.His works of the Tahitian natives and women opened up the world of naturalism and called back for a time where the pastoral would once again be enjoyed. Works Cited Andersen, Wayne. Gauguin’s Paradise Lost. The Viking Press Inc. New York, New York. 1971. Print. Fletcher, John Gould. Paul Gauguin, His Life and Art. Nicolas L. Brown. New York. 1921. eBook. â€Å"Paul Gauguin Biography. † Paul Gauguin – Complete Works. 2002-2011. 31 October 2011. Web. http://www. paul-gauguin. net/biography. html Wright, Williard Huntington and S. S. van Dine. Modern Painting, It’s Tendency and Meaning. John Lane Company. New York. 1915. eBook.

Sunday, January 5, 2020

Jfk, His Advisors, And Everyone Else Essay - 2322 Words

Jorie Schwab History 261G JFK, His Advisors, and Everyone Else In October 1962, the Kennedy administration was forced to manage the most dangerous confrontation of the Cold War era: The Cuban Missile Crisis. In fact, considering the threat of nuclear war at play, the Cuban Missile Crisis could be considered the most dangerous confrontation in all of human history. Because of the clear significance of this crisis, it serves as the ideal case study through which to dissect the presidency. This analysis of the Kennedy administration reveals the deepening divide between â€Å"doves† and â€Å"hawks,† the importance of Kennedy’s personal advisors, and the power Robert Kennedy had over his brother. To better understand the significance of these factors, I will do an analysis of seven meetings JFK attended from the time of the introduction of the crisis, leading up to his speech to the American public and official message to Moscow. Tuesday, October 16, 1962: First Cabinet Meeting, and Incendiary Responses The first cabinet meeting JFK held began with an introduction and analysis of the threat evident in photos obtained from Cuba. The urgency among participants was evident, as such direct movement by the Soviet Union was a complete surprise. Dean Rusk summarized this feeling in a comment to JFK: â€Å"[This development is one] that we, all of us, had not really believed the Soviets could carry this far.† However, the cabinet members quickly grasped the gravitas of what was at stake. While theShow MoreRelatedForeign Policy of John F. Kennedy5063 Words   |  21 Pages2012 John F. Kennedy Even before John Fitzgerald Kennedy began his presidency in 1961, he viewed foreign policy as one of the most important aspects of our lives. In one speech he said, â€Å"Foreign policy today, irrespective of what we might wish, in its impact on our daily lives, overshadows everything else. 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